Georg Leskovich 2025
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Georg Leskovich
Since then, engagements in musical and spoken theater have followed, among others, at the Volkstheater Wien (Lionel in “Jeanne. Ein Prozess”), the Stadttheater Walfischgasse (Kasimir in “Kasimir und Karoline”, Alfons in “Glaube Liebe Hoffnung”), the Deutsches Theater München (Boni in “Die Csárdásfürstin”), the “Arme Theater Wien” (Ernst in “Eine Unbekannte aus der Seine”, “Ferdinando” in “Trilogie der Sommerfrische”), on a European tour (Che in “Evita”), to Tokyo and Osaka, where he played in the musical “Elisabeth” and others. as “Lucheni”, the Neue Oper Wien (“Streetsinger” in “Mass”), the Vienna WUK (“Ragin” in a dramatization of Chekhov’s “Sickroom No. 6”), the Theater Koblenz (Che in “Evita” and Pilatus in “Jesus Christ Superstar”), the Stadttheater Baden (Boris in “Can-Can”), the Frankenfestspiele (Eisenstein in “Die Fledermaus”, Tybald in “Romeo and Juliet”), the Weitra Festival (Frank in “Die Fledermaus”), the Theater Akzent (Max in “Otello darf nicht platzen!”), the Vienna Metropol (Griswold in “The Court Jester”), the Seefestspiele Mörbisch (Perchik in “Anatevka”), at the Globe Vienna and at the Theater im Park he was in M. Niavarani’s Shakespeare adaptations “Richard III”, “Romeo and Juliet” and “A Midsummer Night’s Dream”, at the Kabarett Simpl and others. as “Jon Snow” in “Thrones”.
As an art educator, he has hosted performances at venues including the Vienna Musikverein and the Muth. Since 2016, he has taught music drama at the Vienna University of Music and Performing Arts and directed, for example, the Austrian premiere of Wilhelm Grosz's opera "Achtung Aufnahme" at the ORF Radiokulturhaus.